HIS LIFE

:: THE CONSECRATION

"Póntelo en la lengua" (Put it in the tongue) has the commerciality of "Pies Descalzos" (Barefeet) but with the style of the Golden period.”.
Jaime Bayly, CBS News.

"The Peruvian Rock interpreter showed talent and charm, virtues that go together with the success, we assure it to him at closed eyes.”
Pulse Magazine, New York 1996

"The singles condense the essence of the Pop music as a business, if we understand pop as an industry that produces objects for the massive consumption. Suárez-Vértiz is a young value who has assimilated the Pop culture to perfection, his continuous leadership in the musical rankings shows it.".
El Comercio newspaper, March 1997

""No existen técnicas para olvidar" (There are no techniques to forget) and "Póntelo en la lengua" (Put it in your tongue) two excellent introduction letters that talk by themselves of his musical quality and his domain at the time of composing.”.
El Universal newspaper, Panama 2000

"The permanent evolution in each one of his three albums has been a key as well as his challenges which have assured him continuity in the success of his records release.”
El Listin newspaper, Dominican Republic 2000

"It is possible that the third solo record of the Peruvian composer would be the work through which the world discovers him..Literary games of several rhythms presenting from a celtic rock ("El tren sexual") (The sexual train) until a soft ska ("Déjame vivir") (Leave me live), going by an instrumental atmospheric pop ("China Wife"). Three compositions could be in the hot latin tracks: the full energy theme that gives title to the record, that is an hymn to the social decadence, the evidence of dancing pop/rock about love afflictions "Un vino, una cerveza" (A wine, a beer) and the Love theme"Alguien que bese como tú".(Someone who kisses like you)
Billboard Magazine, Miami, USA 2000

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